Sheikha A. is a writer currently based in Pakistan who is also a recent first place winner of the Poetry Sans Frontier competition and a regular contributor to the eFiction India Magazine. She has been published in several online journals such as Red Fez, Open Road Review and American Diversity Report amongst others. Her works talk about her life’s experiences and reflections on the turmoil between what was and could have been, and what is and could be. This state of constant inertia of the mind trapped in imagining the unreal as real is what produces her written word.
Drew Barnes is a budding artist that has started to fully bloom very recently. She thinks of colors and patterns that she would like to surround herself with, and then puts them all together. She is drawn to ethereal and mystical things. She tries to create honest beauty.
Beau Boudreaux teaches English in Continuing Studies at Tulane University in New Orleans. His first book collection of poetry, RUNNING RED, RUNNING REDDER, was published in the spring of 2012 by Cherry Grove Collections. He has published poetry in journals including Antioch Review and Cream City Review, also in anthologies along with The Southern Poetry Anthology.
Chloe N. Clark is a current MFA candidate in Creative Writing & Environment. She loves magicians, corgis, and also cookies. Her work has appeared in such places as Fogged Clarity, Prick of the Spindle, and Rosebud. Follow her on Twitter @PintsNCupcakes
David R. Cravens received his undergraduate degree in philosophy at the University of Missouri and his master’s degree in English literature from Southeast Missouri State University. He was the recipient of the 2008 Saint Petersburg Review Prize in Poetry, the 2011 Bedford Poetry Prize, and was a finalist for Ohio State University’s The Journal William Allen Creative Nonfiction Contest. His work has also appeared in Ontologica: A Journal of Art and Thought, EarthSpeak Magazine, The Houston Literary Review, Albatross Poetry Journal, The Monarch Review, The Interpreter’s House, Willows Wept Review, The New Writer Magazine, The Penmen Review, Poetic Diversity, Red River Review, Liturgical Credo, The Fat City Review, and is forthcoming in Mirror Dance, Fickle Muses, and War, Literature & the Arts. He teaches composition and literature at Mineral Area College.
Barbara Crooker’s previous publications are: The Valparaiso Poetry Review, South Carolina Review, Tar River Review, The Hollins Critic, The Green Mountains Review, The Denver Quarterly, The Bedford Introduction to Literature, and Garrison Keiller’s Good Poems for Hard Times and Good Poems American Places, plus her work has been read twenty times on his Writer’s Almanac. She has been fortunate to receive poetry writing fellowships from the Virginia Center for the Creative Arts and the Pennsylvania Council on the Arts. Her books are Radiance, winner of the Word Press First Book Award (2005) and finalist for the 2006 Paterson Poetry Prize; Line Dance (Word Press, 2008), winner of the 2009 Paterson Award for Literary Excellence; More (C&R Press, 2010); and Gold (The Poeima Poetry Series, Cascade Books, 2013).
Sadie Ducet’s poetry appears in places like The Progressive, Literary Mama, Midwestern Gothic and Off the Coast, although she never does. Her work is curated by fellow Wisconsin poet Sarah Busse, co-editor of Verse Wisconsin and one of two Poets Laureate of Madison.
Maureen Eldred lives on a small farm along the Canadian border in Northern New York. She has an Associate degree in Horse husbandry from S.U.N.Y. Morrisville and has completed a correspondence course on writing short stories from the Writer’s Digest School. She is an amateur artist and competes in local art shows. She enjoys gardening and playing her antique reed organ.
Anita Felicelli’s writing has previously appeared in the New York Times, Los Angeles Review of Books, The Rumpus, Blackbird, Prick of the Spindle, India Currents, Publishing Perspectives and elsewhere.
Jeannine Hall Gailey recently served as the Poet Laureate of Redmond, Washington, and the author of three books of poetry: Becoming the Villainess (Steel Toe Books, 2006), She Returns to the Floating World (Kitsune Books, 2011) and her latest, Unexplained Fevers, from New Binary Press. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily, and in The Year’s Best Fantasy and Horror. Her poems have appeared in journals such as The Iowa Review, American Poetry Review, and Prairie Schooner. She volunteers as an editorial consultant for Crab Creek Review and currently teaches part-time at the MFA program at National University. Her web site is www.webbish6.com.
Corinne Gaston is an undergraduate university student who lives in a cooperative house that boasts four personable but histrionic cats and a small garden that never runs out of Swiss chard. Between being gifted dead birds, reading Octavia Butler, dumpster diving, and worrying about the next inevitable L.A. earthquake, she sometimes goes home to Pennsylvania where she finds snakes and tiny waterfalls in the woods. Her work has recently appeared in Bone Orchard Poetry and Camel Saloon.
Jennifer Givhan was a 2010 Pen Rosenthal Emerging Voices Fellow, as well as a 2011 St. Lawrence Book Award finalist and a 2012 Vernice Quebodeaux Pathways Prize finalist for her poetry collection, and she is a fellowship recipient in the low-residency MFA program at Warren Wilson College. Her poetry and fiction have appeared or are forthcoming in over fifty journals, including Prairie Schooner, DASH Journal (where her poem won first prize), Indiana Review (where her poem was a finalist for the 2013 poetry prize), Contrary, Rattle, and The Los Angeles Review. She teaches composition at Western New Mexico University.
Amber Dawn Hollinger’s work has appeared or is forthcoming with Rose Red Review, Foliate Oak, The Voices Project, Eternal Haunted Summer, Dead Flowers, Emerge Literary Journal, Burial Day Books, Embodied Effigies, The Soul Pitt, and others. Amber is working on new short stories and CNF pieces, and her poetic CNF chapbook “The Storyteller’s Sister” is forthcoming from ELJ Publications (2014).
Jennifer Lynn Krohn was born and raised in Albuquerque, New Mexico where she currently lives with her husband. She earned her MFA from the University of New Mexico, and she currently teaches English at Central New Mexico Community College and Santa Fe University of Art and Design. Jennifer has published work in The Saranac Review, Río Grande Review, RED OCHRE LiT, Prick of the Spindle, In the Garden of the Crow, Versus Literary Journal, and Gingerbread Literary Magazine.
Samantha Memi lives in London. Her stories can be found at http://samanthamemi.weebly.com/
Sarah Rakel Orton is thirty-one years old and a graduate of the University of Utah’s MFA fiction program (2008). Her thesis, Black as Blood, Red as Apples, was a collection of retold fairy tales. Her work has appeared in The Harrow, Mytholog, Prick of the Spindle, and
The Summerset Review. In January 2010, The Sun Magazine published her short story “Scars and Scales.”
Olivia Pourzia is a scientist by day, a writer always, and can definitely stop writing fairy tales any time she wants.
Stella Isis Rothe is a 26 year old writer and photographer from Metro Detroit. Her work has appeared in BAC Street Journal, Pink Panther Magazine, Witch’s Almanac, Ceremony, Nain Rouge, and Rose Red Review, among others. This spring, Rothe’s work was a finalist in Camera Obscura‘s photography contest. Her art and photography has been on exhibit in area galleries, and she is currently working on “Unexpected Grace,” a magic realism novella.
The photography in this submission come from two series in progress: “Preludes & Noctures” (model Christopher Oberto, with permission) and “Visions of Shalott” (model Lydia Hagen, with permission).
Douglas Sterling is an associate member of the SFWA, and a member of the Codex Writers’ Group. His work has appeared at Daily Science Fiction, Fiction On The Web, [untitled], Isotropic Fiction, The Story Shack, The Hidden Chapter, The Speculative Edge, The Rusty Nail and others.
Kristin Stoner has been an instructor of English at the college level for the past ten years. She received her MA in Literature and Creative Writing from Iowa State University and in 2008 graduated from Antioch University LA with her MFA in poetry. Some of her recent publications include Natural Bridge and Review Americana.
Hannah Stoppel was raised in the forests of Northern Michigan and her connection to fairy tales was formed early. She is currently continuing to pursue that fascination as an MFA student at Pacific University and lives in Louisville, Kentucky. She lives with a journalist, a cat and a greyhound (who doesn’t look a bit like a wolf) and survives by making wigs (which sometimes do).
Alexandra van de Kamp lives in Stony Brook, NY, with her husband and teaches at Stony Brook University. She has been previously published in journals such as: Court Green, Washington Square, River Styx, Meridian, Lake Effect, Arsenic Lobster, The Denver Quarterly, The Connecticut Review, 32Poems and Sentence. Work is forthcoming in The Cincinnati Review. Her poetry has been featured on VerseDaily, and her first full-length collection of poems, The Park of Upside-Down Chairs, was published by CW Books (WordTech Press, 2010). Her most recent chapbook, Dear Jean Seberg (2011), won the 2010 Burnside Review Chapbook Contest. A collaborative prose poem called With was published by Firewheel Editions in 2013 and a new chapbook is forthcoming from Red Glass Books. You may see more of her poetry and prose at her website: alexandravandekamp.blogspot.com.
A graduate of Bath Spa University in England, Dawn Wilson has had the pleasure to dabble in kitsch, surrealism, and espièglerie. Her work can be found in Rabbit Catastrophe Review, Gone Lawn, Paper Darts Magazine, Metazen, The Dead Mule School of Southern Literature, Drunk Monkeys, and Punchnel’s, among others, while the author herself can be found dismantling the kitchen for wearable items, or at nightdawn.wordpress.com. She is at work on a madcap novel.
Laura Madeline Wiseman has a doctorate from the University of Nebraska-Lincoln where she teaches English and creative writing. She is the author of seven collections of poetry, including Sprung (San Francisco Bay Press, 2012) and Unclose the Door (Gold Quoin Press, 2012). She is also the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013). Her writings have appeared in Prairie Schooner, Margie, Rose Red Review, Arts & Letters, Poet Lore, and Feminist Studies. She has received awards from the Academy of American Poets and Mari Sandoz/Prairie Schooner, and grants from the Center for the Great Plains Studies and the Wurlitzer Foundation. lauramadelinewiseman.com