Issue No. 17, Summer 2016

Black Widow

Old woman
wails on rutted knees
red berries strewn
on the ground, the red
of blood.

At evening
berries drain
in the kitchen sink,
a black scarf tight
around her head.

Through the window
rain-gripped mountains
high above the forest
crowd her.

Was he hurrying to see that other woman?

She feeds wood into the hearth,
fans the fire
but the wood too wet
barely stays alive.

Rain falls hard,
like the night she found him,
crushed metal
against a tree,
his head bent.

Loose twigs
pelt her window,
swift tongues
carried on the wind.
Townsfolk talk.

Spirits roused,
ears too close to mouths,
her thoughts scurry
into corners, shelved
like books
in other times.

A spider scuttles
from a corner,
looks for somewhere else
to live.

Old woman
stuck on the sticky thread
of old tales. Love
in the evening,
rain on the sound
of wind, a doused fire
long dying.

Ion Corcos was born in Sydney, Australia in 1969. He has a Bachelor of Arts (Honors) in Philosophy and European Studies, a Bachelor of Science in Biology and Ecology, and an unfinished degree in Modern Greek Studies. Ion’s main love is poetry. The themes of his work centre on life, nature, spirit, and the world. His poems have appeared in Axolotl, Bitterzoet, Every Writer, Ishaan Literary Review, and other journals. Ion also writes short stories, non-fiction, and short plays. His play, “A Flower”, was short-listed in Short and Sweet (2006).

Issue No. 17, Summer 2016

Autumn Walk

It’s hard to believe
the world is going to hell
in this sweet honey light.

My feet rustle through the leaves.

There’s a sense of closure in the air,
the stillness after catastrophe,

birds still flying,
and a breeze that moves the grass,

Claudia Serea is a Romanian-born poet who immigrated to the U.S. in 1995. Her poems and translations have appeared in Field, New Letters, 5 a.m., Meridian, Word Riot, Apple Valley Review, among others. Serea is the author of Angels & Beasts (Phoenicia Publishing, Canada, 2012), A Dirt Road Hangs From the Sky (8th House Publishing, Canada, 2013), To Part Is to Die a Little (Cervena Barva Press, 2015), and Nothing Important Happened Today (Broadstone Books, 2016). Serea co-hosts The Williams Readings poetry series in Rutherford, NJ. She is a founding editor of National Translation Month. More at

Issue No. 17, Summer 2016


Entering your room,
my eyes begin to water:
allergy? Epiphany.

Paper scraps, un-discarded cards,
crumples, crumbles, heaps, receipts.
Dead father, gone girlfriend, broken up band.
Ceiling fan cringing under curse
of cobwebs, thirteen empty beer bottles: all your luck,
run out. Every light dust-drowning,
curtains closed forever, so the neighbors can’t see you
dying gently every night in TV light. Filth that fills—
stuff that kills.

Stuff: pushing down, filling up, shoving into
cavity or crevice. Negative space
either way: gray area: the whole of you.

Learning stuff can be a shield, and a mess
no less than armor. How I wear a full face
of caked makeup, how we pierce and paint our skins,
stuff ourselves or binge and purge to bone. Attempting
our own burial. Dying to become invisible
under all the stuff.

Tomb, catacomb. Suffocating under stuff,
doing stuff that doesn’t fit, stuff filling space.
While you’re living in filth I’m painting my face.

Covering the essence of ourselves.
For you it’s dust, for me, powder—
we all have it—
our stuff.

Julia C. Alter hails from Philadelphia and has found home in Vermont. She is a writer, birth doula, social worker, and conscious dance facilitator, among other things. Her poems can be found in Wag’s Revue, Keep This Bag Away from Children, and Clementine (Unbound).

Issue No. 17, Summer 2016

Bone People

We feed tooth and maul,
bang out on ivory keys,
pick cotton bolls
with wishbones and sorry
glances across the work,

sharpen scythe and axe
to cut through flesh and tendon,
green fields, and prairie
chickens and pray with
the rhythm of wet stone-
shhhh shhhh shhhh,

bone people,
savory broth, simmering
herbs, let her bones melt,
heal your broken heart–
thyme and trinity and low, low
heat to cook marrow to gold,

bone people
in the hills, dark alleys
of city noise, a quiet
tree shadowed street, we cook,
we listen, and carry
the knife blade shine,
a glint in our eyes-
shhhh, shhhh, shhhh.

Danelle Lejeune is a wanderer, a beekeeper, a farmer, a mother who gave up on art for nearly twenty years until an alligator in the marshes off the coast of Georgia convinced her to look twice. Since then she has been published in Literary Mama, Red River Review, and Fifth Wednesday Journal. Forthcoming work in Whale Road Review and Red Paint Hill Press. Her photos have appeared in Portland Review and Flyway Journal. She’s been a poet in residence at Vermont Studio Center, attended Charles University in Prague, and is the assistant to the Director at Ossabaw Writer’s Retreat (where the alligator lives….)

Issue No. 17, Summer 2016

Pebble’s Funeral
After “The funeral of the moon” by David Shumate

They were all in attendance. The sun. Wind. A cloud. They came to console mountain who lost his child, pebble. Moon arrived late and met up with the rest in the bar afterward. It was a stellar funeral, said sun. It was a blast, said wind. I cried a downpour, said cloud. How sad that a piece of you is gone forever, mountain. After this announcement, another raindrop welled in cloud’s eye and fell in his beer. What a loss, said moon to mountain. Your lovely daughter had a natural fluorescence I could see from heaven. I’ll miss her, said mountain, She was a rock of strength, I’ll never be the same. So sad, said sun, Did you see me cover my eyes when they lowered pebble into the water? I couldn’t bear to look. Pebble to pebble, sand to sand, moon prayed. Wind added some philosophy, We’ll all be ground down by the sands of time, time is all we’ve got. And mountain rejoined, Yes, soon enough I’ll be with my pebble, grains of sand on the bottom of the sea. And they all gave a collective sigh and sipped more beer.

Ingrid Bruck is a wild flower gardener and nature poet living in rural Amish country in Pennsylvania, a landscape that inhabits her writing. Some of her current work has appeared in Halcyon Days, Three Line Poetry, and Leaves of Ink.

Issue No. 17, Summer 2016

Brunnhilde’s Solo

Uncrushed on the velvet
fainting sofa, I rise in flash

and glint. An evening gowned
for gold lament. I’m a German

opera braided with heavy blonde
plaits and tragi-songs of longing

and parting. But I’m secretly
detached. My performance is

metallic. I’m steadying my head
to ignite the stage. Helmuted

in halo spotlight, whole notes
immolate my golden throat

with verse and flame. Heaven’s
about to blow. And God? He’s dead.

Tammy Robacker won the 2015 Keystone Chapbook Prize for her manuscript, R. Her second poetry book Villain Songs is forthcoming with ELJ Publications in 2016. Tammy published her first collection of poetry, The Vicissitudes, in 2009 (Pearle Publications). Tammy’s poetry has appeared in Menacing Hedge, Chiron Review, VoiceCatcher, Duende, So to Speak, Crab Creek Review, WomenArts, and Up the Staircase Quarterly. Currently enrolled in the Rainier Writing Workshop MFA program in Creative Writing at Pacific Lutheran University, Tammy lives in Oregon.

Issue No. 17, Summer 2016

The Palm-Reader
Beth Walker

The setting was informal: a cafe. At the writer’s table, a girl
dominated the conversation. Instead of poetry, she asked for his palm.

A joke, he thought, to let her stroke his leather glove, something
he could write about later. (Meanwhile the sheaf of poems he clutched
fluttered like birds.) He took off his green shades

to see himself in her black heart, onyx ring, but spied
only this screwed-up gypsy kid who fancied wonders in upturned skin.

How she held on when she said, “No future for a man whose words cannot fly.
No applause for a man who nurses a stump for a hand.” He was red-eyed
and lost; this was not what he sought.

Then she said, “Your pain has crystallized like salt—not in your eyes,
but in your hands. Indelible, it is stamped deep into your skin.”

When she let go, he saw scars on her own terrible-ringed hands. Funny,
he had thought she was a fan when she asked for the chair. Like a great man,
he tipped his beret, bought her a drink and let her sit there.

Beth Walker has published poems from her series of fairy tale characters in Yellow Medicine Review and in New Millennium Writings.

Issue No. 17, Summer 2016

Godiva Among the Lowly

I dream of strolling

down the aisles
of Lowe’s

daring anyone to speak
about propriety

dress codes.
It’s out of season

and I am cold.
So why am I here?

To boldly go?
To rescue the clothed

from rack and screw
do-overs of mediocrity?

But no one says a word.

Busy with carpet cleaners

they push past me
Beauty in the aisles of Lowe’s.


Take me as I am
which ain’t half bad.


next to shower doors
I pose.

But no one
turns to stare

though in Lowe’s
they are everywhere.

After doors close

I do not question
good of skin

just that it’s too damn cold
to leave ignored.

So I’ll come again
in spring

my hair grown like Godiva’s

naked gleaming
down streets of gold.

Beth Walker has published poems from her series of fairy tale characters in Yellow Medicine Review and in New Millennium Writings.

Issue No. 17, Summer 2016

Macchu Pichu of Your Mind

The erotic tapestry lay unfurled in the corner,
stuck in time as if at absolute zero,
a frozen image seeking eyes, reactions,
as when pillagers invaded the holy land
and found it inexplicably deserted,
or the time that devil Euripides wrote about
topics so very taboo that actors
refused to speak the words, that sordid
tale of man, maid, gods, and sea serpents,
a crowded chariot to the underworld,
chaotic and cursed, now lost to history,
which is to say relax a bit, appreciate
the stillness, the silence, the temptation
of the woven tableau, and let me know
if you care to visit Peru anytime soon.

Gary Glauber is a poet, fiction writer, teacher, and former music journalist. His works have received multiple Pushcart Prize and Best of the Net nominations. This past April, he took part in Found Poetry Review’s PoMoSco Project. He champions the underdog to the melodic rhythms of obscure power pop. His collection, Small Consolations (Aldrich Press) is available through Amazon, while a chapbook, Memory Marries Desire, is forthcoming momentarily from Finishing Line Press.

Issue No. 17, Summer 2016


Today I took a long bicycle ride
On the back country roads and noted the
Great majority of meandering,
Migrating wooly caterpillars
Resembled miniature Marilyn
Monroes made, by forces of nature
Beyond their ken, bright blonde and slow to move
To avoid objects and events that
Surely will destroy them.
Nevertheless the Lepidoptera
Portend a meek and mild winter this year.

Ned Randle’s poems have appeared in a number of literary publications such as The Spoon River Quarterly, Poydras Review, Emerge Literary Journal, Barnwood International Poetry Magazine, The New Poet, Hamilton Stone Review, and Four Ties Literary Review. Running at Night—Collected Poems was released April 1, 2013 by Coffeetown Press. His chapbook, Prairie Shoutings and Other Poems, was published by The Spoon River Poetry Press, Bradley University.